Aalto University, the University of the Arts Helsinki, and Tampere University are collaborating to develop a virtual meeting which looks and feels as if all participants were sharing the same space. In addition to the senses of sight and hearing, a feeling of authenticity can also be created through touch and smell.
Aalto University and Tampere University have received a research infrastructure grant of €2.4 million from the Academy of Finland for the MAGICS project. The universities will form an infrastructure network to support research into motion recording and virtual environments. The project focuses especially on immersive and natural presence, in which the participant is made a part of a virtual world.
MAGICS technology can be used among others in the arts performances. Image credit: Aalto Studios.
MAGICS uses the latest digital technology to create artistic performances, realistic games, and other remote presence solutions. The consortium is headed by Professor Mikko Sams of Aalto University, with Professor Atanas Gotchev of Tampere University as the deputy director.
‘Coronavirus has strongly raised the need for a new kind of telepresence. Telepresence that feels natural can replace physical and social meetings. Virtual technology can enable people to sit at the same table. But this all requires research and development of new technologies’, Mikko Sams says.
A concrete example of the new technology is a collaborative virtual studio project involving the national broadcaster Yle and Keho Interactive.
‘One person can be physically located in a virtual studio at Yle, and another one at Aalto Studios. The motion data from the camera can be moved from one studio to another so that the people are in exactly the same space from the viewer’s point of view’, says Marcus Korhonen, technical director of the project and Director of Aalto Studios.
The team at Aalto focuses on measuring, analysing, and digitising the behaviour and experiences of people taking part in research, performances, and games in situations that are as real as possible. The team at Tampere University builds and uses virtual worlds and telepresence in game research and display technology.
‘The advantage of the joint project is that the same technology can easily be utilised to meet a variety of needs of a variety of actors. For example, the same equipment that is used in game research at the University of Tampere can be used for producing art at the University of the Arts Helsinki’, says Tero Heikkinen, postdoctoral researcher at the University of the Arts Helsinki.
The MAGICS equipment allows the researchers to precisely measure and analyse the body functions and facial expressions. The measurements help them to understand how people interact and understand each other, and what kinds of emotions emerge while, for example, playing games.
‘Visual cues, interaction, and senses can be very lifelike. Viewers can move and experience being inside a theatre performance. In addition to realistically recreated visual scenes, they can sense dampness with the help of special gloves, or they can smell synthetically produced odours’, says Atanas Gotchev.
New technology can be used in the performing arts in many ways: for example, performances can be viewed in many locations simultaneously, and scenery can be produced completely virtually.
Aalto University and Tampere University have received a research infrastructure grant of €2.4 million from the Academy of Finland for the MAGICS project. The universities will form an infrastructure network to support research into motion recording, and virtual environments. The project focuses especially on immersive and natural presence, in which the participant is made a part of a virtual world.
MAGICS uses the latest digital technology to create artistic performances, realistic games, and other remote presence solutions. The consortium is headed by Professor Mikko Sams of Aalto University, with Professor Atanas Gotchev of Tampere University as the deputy director.
‘Coronavirus has strongly raised the need for a new kind of telepresence. A telepresence that feels natural can replace physical and social meetings. Virtual technology can enable people to sit at the same table. But this all requires research and development of new technologies’, Mikko Sams says.
A concrete example of the new technology is a collaborative virtual studio project involving the national broadcaster Yle and Keho Interactive.
‘One person can be physically located in a virtual studio at Yle, and another one at Aalto Studios. The motion data from the camera can be moved from one studio to another so that the people are in exactly the same space from the viewer’s point of view’, says Marcus Korhonen, technical director of the project and Director of Aalto Studios.
The team at Aalto focuses on measuring, analysing, and digitising the behaviour and experiences of people taking part in research, performances, and games in situations that are as real as possible. The team at Tampere University builds and uses virtual worlds and telepresence in game research and display technology.
‘The advantage of the joint project is that the same technology can easily be utilised to meet a variety of needs of a variety of actors. For example, the same equipment that is used in-game research at the University of Tampere can be used for producing art at the University of the Arts Helsinki’, says Tero Heikkinen, a postdoctoral researcher at the University of the Arts Helsinki.
The MAGICS equipment allows the researchers to precisely measure and analyse the body functions and facial expressions. The measurements help them to understand how people interact and understand each other, and what kinds of emotions emerge while, for example, playing games.
‘Visual cues, interaction, and senses can be very lifelike. Viewers can move and experience being inside a theatre performance. In addition to realistically recreated visual scenes, they can sense dampness with the help of special gloves, or they can smell synthetically produced odours’, says Atanas Gotchev.
New technology can be used in the performing arts in many ways: for example, performances can be viewed in many locations simultaneously, and scenery can be produced completely virtually.
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